

When we finally see the family members, their puppets only have an upper torso.

Lucy’s family start out as merely background noise: we hear Mum singing, Dad playing the tuba (terribly), and Lucy’s brother bashing away at his games console. Olié’s production persuasively captures the potential loneliness of childhood.

Nothing in Lucy’s world is solid – expect perhaps Lucy, who is represented by a delicately carved wooden puppet. Lucy finds she is walking on thin air … Katie Haygarth (Lucy) in The Wolves in the Walls.
